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During the second half of the 19th century it was a very popular form of mass entertainment, until motion pictures replaced it early in the 20th.
Oxygen and hydrogen were burned on a limestone surface to produce limelight, which was projected through colored scenes hand-painted on glass slides, resulting in brilliant images that could be shown to up to hundreds of people at a time.
The various kinds of slides available below were all manufactured later in the century by the C. Except for the tenth slide, "Eva's Dying Farewell," Beale's images closely copy the drawings that Hammatt Billings' prepared for the Illustrated Uncle Tom's Cabin published by Jewett and Co.
in late 1852, and it is interesting to note which of the 117 scenes Billings illustrated were chosen in order to tell Stowe's story in a dozen slides ( to see the Billings' illustrations).
You can see your grandmother's great-uncle's name, J. APPRAISER: John Randolph Bartruff, and his address in Boston, where he used to give a lot of his lectures. It was the oldest European construction in Arizona. We've got a front shot of the building and a rear side view of the building.
By the end of the 18th, it was being used to entertain audiences in the United States.
Stowe's novel was apparently translated into this medium as early as September, 1853.
According to A History of the New York Stage, George Lea decided to take advantage of the record-setting popularity of Aiken's dramatization of Uncle Tom's Cabin at Purdy's National Theatre to exhibit the story in "magic lantern views" at his Franklin Museum: "many a 'country cousin' found him or herself here who thought it was Purdy's place of amusement.
This one over here is a front view of the San Xavier Mission.
It used to have two domes on it, one on either side, and one that got damaged during earthquake.